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Showing posts from October, 2013
Oil Painting Medic is a practical guide to oil painting techniques, materials and troubleshooting. NOTHING on here is AI. Begin with Home or Start Here. Browse my Artbooks and Whats Trending. With copious articles covering portraiture, landscapes, still life, and problem solving, this blog helps artists improve technique and overcome challenges. Navigate by theme in the sidebar.

How do I Make Buying Artist’s Easels Cheaper?

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Shopping for easels to suit individual artist’s needs may not be a straightforward as one might think when budget and overwhelming choice comes into the equation. An array of seemingly complex contraptions, finely crafted in polished wood or steel would appear a requisite for the artist just starting out. But this need not always be the case. How can the best easel be purchased for the right price? What Easels to Buy The tabletop easel Beginner’s mistakes in buying an easel can be avoided when taking into account the following: Don’t make snap decisions on an easel that would appear perfect for use if there are others to consider. The best easel is not necessarily the most attractive, eye-catching or the first to present itself. Not thinking about individual needs when looking for easels. If the artist likely to paint small (creating works no larger than 2ft on the longest side) then, a large, studio easel would be surplus to requirement. Purchasing an easel that has fla...
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How do I Paint Blonde Hair on My Portraits?

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Blonde hair in oil painting often looks chalky, muddy or flat when the artist relies too much on white or browns. True blonde hair contains an array of hues — blues, earth colours and violets. By understanding how blonde hair behaves tonally and chromatically, the artist can mix cleaner pales, richer darks and convincing highlights. The True Colour of Blonde The portrait artist faced with painting blonde hair may automatically reach for titanium white and vary it with black or dark brown for shadows in the belief that these colors will create convincing blonde hair. Instead, the hair looks lifeless. What colors should the artist use for blonde hair? How Not to Paint Blonde Hair How to Paint Blonde Hair Rachel Shirley Before making changes to a portrait with blonde hair, the artist may identify what went wrong with the hair aspect of the painting, which could be any of the following: Making blanket assumptions about blonde hair in that it always contains lots ...
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How Can I Paint the Mona Lisa in an Hour?

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The painting of the Mona Lisa by Leonardo da Vinci is the most famous portrait in the world, partly due to the subtle and hard‑to‑define shadows around the face known as sfumato . Sfumato is one of the painting modes of Renaissance art and is difficult to achieve. I decided to paint the Mona Lisa and post it on YouTube as speed art. Here are the common pitfalls of painting a face with a subtle expression. Tips on Painting the Portrait of the Mona Lisa See my two YouTube clips on painting the Mona Lisa. The first glaze (above) was completed in around twenty‑five minutes. Once the first glaze was touch‑dry, I began the second glaze (below), which took a further half‑hour. The second process enabled me to elaborate on shadows and refine shading. Both processes have been speeded up so viewing time is compacted to a few minutes. The most common problems with painting a portrait with delicate detail such as the Mona Lisa are the following: 1. Expressing shadows on th...
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How do I Make Gold Look like Gold with Oil Paint?

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The artist trying to convey metallic effects with oil paint may be disappointed if brass ornaments or gold jewellery resembles dollops of mustard in the still life painting. How can the artist get gold effects in painting? Gold: An Introduction Gold is one of the most tricky colours in oil painting. Many artists expect it to behave like yellow, only to end up with mustard‑coloured jewellery or dull brass. The secret to painting convincing gold isn’t brightness — the secret lays in contrasting neutrals, and unexpected cool hues. Problems with Painting Gold Jewellery How to Paint Gold A still life setting featuring gold objects such as jewellery may appear tarnished or plastic-like due to misconceptions about the colour gold, causing the artist to use a lot of yellow, orange or ochres. Such idealistic concepts about the colour gold may be indicative by the following notions and practices. Having the subconscious idea that all gold is basically yellow, yellow-orange or ochr...
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My Oil Painting of Clothes Looks Rigid and Plastic

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Figure painting often entails painting clothes. But the idea of illustrating folds, textures and patterns on clothing may bewilder the artist to the point that it end up looking a confused mess. The folds and patterns contradict one another, leading to a flat representation of fabric suggesting plastic or sheet metal. What is the secret to painting clothes effectively? Problems When Painting Clothes Technique for Oil Painting Material Rachel Shirley Many problems can be avoided when oil painting figures in clothing. The following practices must be addressed before the artist can make improvements in rendering fabrics. Illustrating the detail in the fabric at the outset of the painting session, causing the area to become muddled. Using black to darken the colour of the fabric when painting shadows or creases. Illustrating folds in a linear way where lines may not always be visible. Assuming that the contours in the clothing are always darker on one side than the other....
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How to I Treat Craquelure in my Oil Painting?

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Craquelure are fine hairline cracks that appear in an old oil painting. Some art restorers may not decide to treat it, for it is the normal process of ageing and adds charm to the appearance of the artwork. Solving the Craquelure Problem in an Old Painting This old oil landscape painting shows cracks in the paint layer called craquelure. This is caused by the aging process of the oil paint that has dried out over time. The proper preparation of gesso will minimize the appearance of these cracks. A close up of this painting showing craquelure. Image right shows distortion in the canvas due to botched restoration. Masking tape had been stuck onto the back of the canvas to hide a hole. Sadly, the resultant stresses in the canvas have exacerbated the cracks. Any restoration work would now require extra care. How to Tension an Old Oil Painting in Restoration The image shows the painting after I had removed the offending masking tape and repaired the holes i...
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How do I Make Glass Look Like Glass in My Painting?

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Trying to paint glass in a still life may seem impossible due to its elusive quality. The artist strives to make glass look solid, yet it is partially invisible. In other cases, reflections and shadows may confuse the painting. How does the artist make glass look real? How to Paint Glass Painting Glass in a Still Life Rachel Shirley Before improving a still life with translucent objects, the artist must identify the causes of unrealistic glass: Assuming glass is completely transparent and painting objects behind it without altering the palette. Ignoring refraction or distortion caused by curved glass surfaces. Outlining the glass with definite dark lines. Using neat white for reflections and highlights. Why Glass is Difficult to Paint Unlike opaque objects, glass contains multiple visual elements at once: Reflections on the surface (windows, people, furniture). Shadows cast onto the glass by neighbouring objects. The glass’s own shadow — solid ...
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The Ellipses in my Still Life Look Wrong

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The artist struggling with ellipses in a still life may end up with a painting dotted with doughnut-like formations that are supposed to represent the rims of cylindrical vessels; some ellipses appear lop-sided, others look like UFOs. In other cases, the ellipses appear to inhabit a different space to that of the vessel concerned. How can the artist overcome the problem of painting ellipses on objects? Step by Step Drawing of Ellipses How to Draw Ellipses Rachel Shirley The still life artist may find painting ellipses difficult to avoid, as many household objects contain ellipses. The list is endless: vases, teacups, teapots, mugs, urns, saucers, eggcups, tankards, vanity mirrors, dishes, plant pots, pipes, cake tins, wine glasses and bottles. This can be a real headache for the artist wishing to steer clear of such challenging elements. But the hurdle of drawing ellipses is a common one which can be overcome. Before making improvements, the following practices need to be a...
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Repair a Damaged Oil Painting: Dos and Don’ts

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An oil on canvas can be easily damaged during transit or stored inappropriately. A tear can work into the canvas if resting against a sharp object, and the weave, fray if under undue tension. Damp, sunlight and temperature extremes can rob the canvas of natural oils and therefore cause the canvas to brittle and liable to tear. How does the artist repair a torn oil painting? An oil on canvas can be easily damaged during transit or stored inappropriately. A tear can work into the canvas if resting against a sharp object, and the weave, fray if under undue tension. Damp, sunlight and temperature extremes can rob the canvas of natural oils and therefore cause the canvas to brittle and liable to tear. How does the artist repair a torn oil painting? Saving Money on Art Restoration Art restorers can be costly and hard to find. But I have fixed this oil painting myself. The damaged painting is an old master showing Bracebridge Pool, Sutton Park, UK by a Victorian landscape artist Willis Pryce....
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Tips on Painting Brown Hair for Portraits: Brunette and Russet Colors

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The artist assigned to paint a portrait of someone with brown hair may reach for any brown pigment in the hope that it will do, resulting in hair that looks flat, dull and wool‑like rather than fine strands. How can the artist paint brown hair realistically? How to Paint Brown Hair on Portraits Painting Brown Hair Rachel Shirley The artist may reflect upon what went wrong when painting hair. Any of the following practices could be at fault: Assuming any tube labelled “brown” will represent all shades from brunette to auburn. Illustrating every strand in a linear fashion with a fine sable, resulting in a synthetic wig‑like appearance. Leaving harsh dividing lines between tonal areas, making the hair appear solid or plastic. Mixing brown with white for highlights or black for darks, resulting in dirty grey colours. Treating the hair as separate from the face and omitting cast shadows over brow and cheeks, creating a cut‑out look. Tips on Painting Brunett...
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Focus On Landscape Painting: Trees, Skies, Water, Mountains and More

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Think about a landscape and many ideas come to mind: woods, mountains, lakes, skies, snow and ruins. Think of colour, light, texture and atmosphere. Where does the artist begin with landscape painting? This hub page gathers my best landscape art tutorials and more are on the way. Find tips, fixes and art materials required to get started. This page provides an easy navigation to the desired landscape content. Painting Trees and Woodland Find articles on trees and foliage , woodland scenes, autumn colours, spring buds, and seasonal greens. Learn how to paint dappled shadows from canopies, bare trees and the coarse bark of tree trunks. Learn to paint flowers and to avoid muddy colours. Painting Skies, Clouds and Weather And how about skies and atmosphere? I used to keep weather records and learned about the clouds. Terms like cirrus, cumulus and mackerel became familiar terms and enhanced my understanding of the sky. This focus page pulls together tips on how to add drama to your sky ...
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