The Causes of a Bland Sky Painting
Overuse of the blue pigment Ultramarine
Using only one blue pigment with varying amounts of white for the whole sky
Painting with presumptions about the sky: the sky is blue, clouds are white, etc.
- Not treating the sky element with equal importance as the landscape
- Using only pale tones for the sky, resulting in a washed out sky
- Painting the sky element lastly when tired, which will result in a rushed sky that looks completed as an afterthought
- Lack of awareness of opaque colours and traslucent colours
The following practices and thoughts will help improve sky painting, and will in turn help create a more interesting landscape painting:
- Skies can contain the most bizarre colours, such as violets, greens and crimsons, which can be seen in sunset paintings or mackerel skies
- Again, skies are not only pale, but contain contrasting tones
- Complete a series of paintings with only the sky, which will improve awareness of the sky
- If a sky looks boring, look for an alternative photograph as a painting resource which contains interesting clouds. Ensure the angles and lighting conditions are consistent with the landscape
- Use larger brushes than would normally use, to give the sky an impressionist feel
- Consider using impasto medium, which will add body to the paint, adding a textural element to the sky
- Resist the temptation to brush out any colour streaks on the painting. Allow brush marks to remain, which will add life to the sky painting
- Observe the sky sensitively before putting the paint down
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External Links on Painting Skies
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